This review was originally posted on Epinions.com.
After a several year lay-off in which her entire personal life was all over the tabloids, Britney Spears is back, with a new album called Blackout. Being that she was in the tabloids for reasons having to do with lots of partying, maybe Blackout is the perfect title. This new album is a definite upgrade from her previous album In The Zone. The hit song from that album, Toxic was what the entire album should’ve sounded like. Here, Spears (and her producers) take no chances. The feel on this new album is frenetic, with beats going every which a way, thundering out her voice to where she seems like a supporting actress on her own album. And that might just be the best thing about this new album.
The album is constructed in a way where it seemed each producer’s main goal was to make that Britney Spears comeback record that would put her back on the map. It was like each was trying on that glass slipper to try to be the one who was solely responsible for making the one time hit queen, important in music again. Where Spears and her producers succeed is in making her music relevant. This isn’t the same old, same old that plagued her last new studio release. Much of the music is highly danceable and it works. Producers Bloodshy & Avant give her the euro-dance pop sound. Britney’s voice has never been more tinkered with, and for this music fan, that’s a plus. With songs like Pieces of Me and Radar, it’s the music that’s important, not necessarily what she’s singing about. Her voice is given the T-Pain treatment with the vocoder and if you can get past the fact that it’s a gimmick that’s used far too much in music today, you’ll understand that it was made for her.





