This review was posted originally on Epinions.com.
With Martin Lawrence’s latest movie, Welcome Home Roscoe Jenkins, he gets a lot of help from an all-star cast and really, in this day and age, he needs it. His name is on the marquee and he has the biggest part, but if not for his cast, this movie bricks, and bricks badly. Maybe I’m giving the cast too much credit. They aren’t all all-stars. Cedric The Entertainer hasn’t been all that funny since Barbershop, but to folks who are going to see this movie, he’s an attraction. As is Mike Epps, who in fact, might be one of the funnier goofy guys in movies today. And let’s just put Joy Bryant on the cover of King Magazine right now. As pretty as she is, she also plays one of the better characters in the movie. Michael Clarke Duncan isn’t making too many waves these days, but his hulking presence doesn’t take anything away from the movie. And who doesn’t like James Earl Jones even if you’re just waiting for him to say “Skyyyyyywallllllkerrrrrr” in his deep voice? On the other hand, Mo’Nique isn’t necessarily charming. She’s foul mouthed and disgusting for most of the movie. How this thing was only rated PG-13 leads me to believe that the MPAA didn’t get some of the jokes.
Martin Lawrence is completely stuck in a rut. After playing some great characters in movies like Bad Boys and Life, he’s now subjected to playing his Martin Payne character in nearly every role now. Even parts of his old sitcom are smack dab in this movie. While you can go to the well a few times, it can get old and with his latest role as RJ Stevens, a Dr. Phil/Jerry Springer like talk show host, yesterday’s edgy is now today’s stale. Lawrence used to be cutting and eye opening. But now, he seems tired and walking on the same treadmill he’s been on for the last ten years.

Ms. Joy
Welcome Home Roscoe Jenkins is, on a basic level, about how a lacking relationship between a father and son can affect both men later in life, and leave them both with huge chips on their shoulders. The father doesn’t know why his son acts a certain way, and vice versa. So when the son (Martin Lawrence) comes home to a life he left, at the urging of his parents (Margaret Avery and James Earl Jones), he brings a new lifestyle with him to his old stomping grounds. Duncan plays RJ’s bigger brother who is happy in his simple life of kids and family while RJ looks down on him because he sees himself as above it. Cedric plays a cousin who was adopted by the Jenkins family (RJ is actually the stage name for Roscoe Jenkins), but always competed against and beat RJ at everything. He also stole the love of RJ’s life. Nicole Ari Parker plays Lucinda, the woman who RJ has never gotten over, even though his fiance Bianca (Bryant) is a hotty with a body. But along with that body, she’s also superficial, sassy, and snobby. RJ’s own young son seems to fit in better with his southern family than he ever did and it bites at him throughout because maybe, he’s not above it all like he thinks he is.
Epps is the real star of the film and I can’t imagine that all of his dialogue was written for him. His style is very off the cuff and seems like one long stand-up routine and while he throws a lot of stuff at the dart board, much of it hits. Cedric is also funny in the film and they both play off Lawrence perfectly, but also overshadow him at the same time. Lawrence plays it straight (but for him, straight is still a little jagged) but seems out of his league these days with funny men who he probably inspired. Parker and Bryant are the direct opposites and play their roles well. Bryant is there to be hated and Parker, there to be liked. I loved Bryant in Antwone Fisher and think that she has a great future ahead of her. It doesn’t look like she’s getting the best roles out there as she’s also been in Honey, but at least that movie helped jump start Jessica Alba’s career. Parker is better known for her role on the show Soul Food. Her role is set up early on to steal RJ from Bryant, but in a nice way. I’m not sure that I was that sold on her in that role, but she was easy to like.
This movie will probably do decent business based on the power of Martin Lawrence’s name (that’s why I went) and a good mix of supporting cast of comedians. It’s a story that’s been done before and better. This Malcolm D. Lee directed film is a little racy and silly, but there are true laughs that result out of it.
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